Author: Steven M. Critelli

Against Interpretation.
Literary Criticism

Introduction to Modern and Contemporary Poetry

Notwithstanding the naive premises of the popular form of pastoral, however stretched and strained, the genre remains remarkably durable, even if it is increasingly used as a touchstone more than a framework. In modern and contemporary poems we witness the popular pastoral portrait with its cracked varnish juxtaposed to modernism’s industrial high tech, conflicted morality and garish breaches of decorum; when they are combined, we have a distinctive form of irony.

Literary Criticism

A.R. Ammons – “Cascadilla Falls”

The poem exerts a magnetic attraction, largely due to its lyric intensity and the unpredictable development of its content: from a pastoral setting on Cornell’s campus in Upstate New York (where the “single creek” featured in the poem cuts through the Cascadilla gorge), to the capaciousness of its scientific quantifications of the cosmos and the apparent awe inspired by the poet’s realization of his place in the universal scheme, and finally to the surprising lament at the end of the poem.

Literary Criticism

Notes on Ange Mlinko’s “Cottonmouth”

I was intrigued by Ange Mlinko’s newest published poem, “Cottonmouth” (Poetry Feb. 2016), a dense linguistic tour de force that weds the ancient Greek myth of Orpheus and Eurydice with a locus in the contemporary American landscape, using stacks of cultural references like sampled sounds and playing them against an urban rap rhythm, then overlaying that with a verse form that invokes Virgil and Dante as it might have been imagined by James Joyce.