Notable Books of Poetry in 2013
In no particular order of relevance are my picks for notable poetry books in 2013: Dear Boy by Emily BerryContinue Reading
Poetry and Literary Criticism
In no particular order of relevance are my picks for notable poetry books in 2013: Dear Boy by Emily BerryContinue Reading
Prynne achieves enviable compression of language by a heightened use of linguistic and cultural references that are strategically employed to treat themes of modern life. As his is a poetry of resistance to the new world order, it challenges the hegemony of the hardened shells of political and social structures that attempt to dominate human sentience.
Ange Mlinko’s new book of poetry, Marvelous Things Overheard, expresses our contemporary experience by way of micronarratives, using poetry’s familiar lens of myth, fable, and anecdote, and overlaying these with the received “truth” of the arts, science and technology as they are filtered through our national experiences and family histories. The psychological perspective, one that Mlinko surely sees as uniting us with ancients, discloses an unsettling arrhythmia at the heart of our existence in the modern world.
Concluding his essay on Wallace Stevens in Poetry and the Age, Randall Jarrell commented: “A good poet is someone who manages, in a lifetime of standing out in thunderstorms, to be struck by lightning five or six times; a dozen or two dozen times and he is great.” If that is so, Seamus Heaney was a lightning rod.
Originally posted on Peony Moon:
Emily Berry is a poet, freelance writer and editor. She grew up…
I thought readers might like to hear about the Colgate Writers Conference (CWC), my first workshop experience. The CWC isContinue Reading
Flatrock is a very impressive first book by any standard. Its reeling portraits of lower class life hearken to the rough speech, coarse sentiments and unapologetic sexuality of Emile Zola’s Germinal or Erskine Caldwell’s Tobacco Road by employing neo-romantic realism and social comment to create an exciting visceral experience for the reader. Ms. Lock’s voice, by turns perceptive, witty and tart, and yet still capable of great tenderness, is remarkably consistent throughout, . . .
What surely will be one of the main literary events of the year, if not the decade, is the U.S.Continue Reading
On Louise Glück and the Yale Series of Younger Poets | Kenyon Review Online. This is an interesting article byContinue Reading
If you are familiar with Terry Eagleton’s commentaries and criticism at the London Review of Books, you know he isContinue Reading



