Author: Steven M. Critelli

Against Interpretation.
Prose

“The Watch” – Short Fiction

It was on the occasion of his return from the Yucatan, when passing through Duty Free he saw the watch, or rather heard the whisper of the perfect prologue that slips beyond the monogrammed curtain of a discrete French cuff to deliver, sotto voce, a life-sustaining pulse to its audience as it anxiously waited for the grand drama of his life to proceed. This, he thought, was just the dramatis persona he needed.

Literary Criticism

A Note About Meaning

Meaning is what an audience tries to give art when the medium itself is ineffable. Poems like T.S. Eliot’s “The Waste Land ” and John Berryman’s “The Dream Songs” are accepted today as having a discernible content and an interpretable discourse. But history tells us that the vast majority of critical readers didn’t know what to make of these poems until many years later when critical opinion eventually coalesced and pronounced their themes and method of discourse.

Literary Criticism

Reading Ange Mlinko’s Marvelous Things Overheard

Ange Mlinko’s new book of poetry, Marvelous Things Overheard, expresses our contemporary experience by way of micronarratives, using poetry’s familiar lens of myth, fable, and anecdote, and overlaying these with the received “truth” of the arts, science and technology as they are filtered through our national experiences and family histories. The psychological perspective, one that Mlinko surely sees as uniting us with ancients, discloses an unsettling arrhythmia at the heart of our existence in the modern world.

Literary Criticism

Fran Lock – Flatrock

Flatrock is a very impressive first book by any standard. Its reeling portraits of lower class life hearken to the rough speech, coarse sentiments and unapologetic sexuality of Emile Zola’s Germinal or Erskine Caldwell’s Tobacco Road by employing neo-romantic realism and social comment to create an exciting visceral experience for the reader. Ms. Lock’s voice, by turns perceptive, witty and tart, and yet still capable of great tenderness, is remarkably consistent throughout, . . .